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PHILIPS I'm afraid those are your orders, Major. Once you reach your objective, Dillon will evaluate the situation and take charge.
Schaefer looks from Philips to Dillon. He still doesn't like it.
DILLON Not to worry, Dutch. I haven't lost my edge. They've got a head start on us in some real tough country, otherwise, believe me, it's a piece of cake.
PHILIPS Gentlemen, we're losing time. (to Schaefer) You'd better get your men ready. (pause) Good luck, Major.
4 EXT. TWO ASSAULT HELICOPTERS - NIGHT 4
Burst over the top of a ridge. Rising up in silhouette they perform a radical left bank turn and descend rapidly into an adjoining valley, racing over the jungle at treetop level.
As the helicopters perform dizzying, high-speed maneuvers through the winding canyon, the PILOT'S VOICES can be HEARD, coordinating their operations.
PILOT ONE (voice over) Redbird Two, Two. Bearing south, three, five, zero, one o'ckock on the saddle ridge. Over.
(CONTINUED)
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8
4 CONTINUED: 4
PILOT TWO (voice over) Roger, Blue Leader. Three, five, zero, on your move. Over.
The helicopters rise in perfect coordination over another ridge and bank sharply into the next valley, leveling out as they go.
5 INT. HELICOPTER - NIGHT 5
Illuminated by the eerie red glow of NIGHT LIGHTS, are SEVEN MEN, dressed in jungle camouflage, soft hats and camouflage face-makeup. They wear no identity badges or insignias. The man are checking their WEAPONS, making last minute adjustments to their GEAR.
The compartment reverberates with the NOISE of the THUMPING ROTORS and the ROAR of air from the open doors.
BLAIN, weapons and ordinance specialist, a frightening bull of a man, a 240 pound killer, removes from his shirtpocket a think PLUG OF TOBACCO. He looks across at:
MAC, a huge bear of a man, black, holding am M-60 MACHINE GUN. Blain holds out the tobacco to Mac who refuses with a gentle shake of the head, a knowing smile, he knows what's coming.
Holding the plug between his teeth Blain yanks free from his shoulder scabbard a wicked, ten inch COMBAT KNIFE. Placing the razor sharp blade next to his lips he slices through the plug as if it were butter. He chews throughtfully.
Seated by the open doorway is RAMIREZ, a slight, angular man, an East L.A. streetwise Chicano.
Adding a final piece of camouflage TAPE to his pack HARNESS, he looks up and smiles, faking a throw and the bulleting the tape to:
HAWKINS, the radioman and medic, Irish, street-tough, reading a rolled-up magazine, as if he were a rush hour commuter. He snags the tape with an instinctual snap
(CONTINUED) ------------------------------------------------------------------------
REVISED - "HUNTER" - 4/17/86 9 * 5 CONTINUED: 5
of the wrist, continuing to read for a moment before looking up, grinning at Ramirez, his boyish, eager face belying the rugged professional beneath. He turns his gaze to the man next to him:
BILLY, the Kit Carson Scout, an American Indian, proud, stoic, a man of quiet strength and simplicity, carefully replacing the FIRING MECHANISM of his M-203, working its action several times. He looks up with a smile at Hawkins.
HAWKINS (shouting) Hey, Billy, how many marines does it take to eat a squirrel?
Billy looks back, shaking his head, uncomprehending.
HAWKINS Two. One to eat it and one to watch for cars.
Hawkins laughs heartily at his joke.
6 EXT. JUNGLE - NIGHT 6
Clearing another ridge, the helicopters plunge into a steep descent, turning quickly into a DEEP-WALLED CANYON, the force of the turn accentuated by the changing PITCH of the screaming turbines and the biting of rotors into the air.
7 INT. HELICOPTER - NIGHT 7
The men, suspended in RESTRAINING HARNESSES from the bulkheads, lean forward, nearly upside down in response to the radical maneuver, handling the situation with ease.
Blain holds out the tobacco to Ramirez, who swats at the offending object as if it were alive.
RAMIREZ (shouting) Get that stinkin' thing out of my face, Blain!
(CONTINUED)
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REVISED - "HUNTER" - 4/29/86 10
7 CONTINUED: 7
Grinning, Blain proffers the plug to each man, each one refusing; they've done it a thousand times. It's an old gag but they obviously care for the man in a big way.
BLAIN ...bunch of slack-jawed faggots around here... (holds up plug) ...this stuff will put hair guaranteed... (chewing) ...make you a God-damned sexual ty-ran-toe-sore-ass... just like me.
This brings a chorus of HOOTS and SHOUTS from the others.
The helicopter makes another radical turn.
Schaefer and Dillon, seated near the cockpit, communicate through HEADSETS, also linked to the pilot. They consult a TOPOGRAPHICAL MAP by RED PENLIGHTS.
DILLON (pointing to the map) Our rendezvous points and radio freqs. are indicated and fixed. AWACS contact on four hour intervals.
SCHAEFER Who's our back-up on this?
DILLON (grinning) No such thing, old buddy. It's a one way ticket. Once we cross that border, we're on our own.
SCHAEFER This gets better by the minute.
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11
8 INT. COCKPIT - NIGHT 8
The PILOT and CO-PILOT are surrounded by an array of dimly lit GAUGES and SWITCHES. Before the Co-Pilot is a RADAR SCREEN and an INFRA-RED DISPLAY TERMINAL on which the TWO HELICOPTERS appear as HEAT SOURCES.
PILOT NUMBER ONE ...roger Bird Two, Two. Reconfirm insertion at Tango, Charlie, Delta One, zero, niner on the grid at zero, two, two, mark four by zero. Over.
PILOT NUMBER TWO (voice over) Two, Two, leader. Roger your insert co-ord. Over.
PILOT NUMBER ONE Leader to Bird Two Two. I bear two minutes to Landing Zone.
The Pilot throws a SWITCH on the panel before him
9 INT. HELICOPTER - NIGHT 9
A BLUE LIGHT appears on the forward bulkhead. Schaefer is speaking over a RADIO TELEPHONE. The Co-Pilot turns and hands him a clipboard. Schaefer reads, notes his approval and hands it back.
10 EXT. HELICOPTER - NIGHT 10
Flares up into position over the jungle and hovers, as the SUPPORT HELICOPTER holds in a protective position above.
11 INT. HELICOPTER - NIGHT 11
Dillon seems comfortable with the men, showing Ramirez a battered CIGARETTE LIGHTER from a famed commando unit from the past.
But his ingratiating demeanor is not impressing Mac, who regards Dillon with the cold suspicion reserved for an outsider. Mac looks up at Blain, his eyes narrowing.
Blain's massive jaws roll as he masticates the chew. He pauses, eyes moving downward, spotting his target.
(CONTINUED)
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12
11 CONTINUED: 11
He hocks a thick, vile stream of TOBACCO JUICE directly between Dillon's legs and onto the floor, a gelatinous skein lacing across the toe of one boot. Dillon looks up, his face goes cold and menacing.
DILLON (icy) Man, that's a real bad habit you've got.
Dillon turns back to Ramirez, ignoring Mac and Blain, who continues to stare at him. Mac looks across at Blain, wide grins breaking across their huge faces. Cradled in Blain's arms, as if it were a part of his body, is a large, CANVAS-COVERED BUNDLE. Blain looks down at his bundle, almost affectionately.
The PILOT's VOICE breaks in over Schaefer's headset.
PILOT NUMBER ONE (voice over) LZ comin' up in 30 seconds. Stand by the rappel lines.
Looking up, Schaefer gives a hand signal to the nearest man who nods and in return,passes the signal down the line.
Ramirez and Blain pick up heavy, METAL CONICAL DEVICES, attached to canvas bags filled with rope.
12 EXT. HELICOPTER - NIGHT 12
From the open doors the RAPPELLING LINES hurtle into space, CRASHING through the double canopy of the trees and to the jungle floor below.
13 INT. HELICOPTER - NIGHT 13 *
The blue light changes to GREEN. Schaefer nods. RAPPELLING DEVICES SNAP into place. Gloved hands grab onto rope. Combat boots move into position.
DILLON (shouting to Schaefer) You don't know how much I missed this, Dutch!!! Once you get this in your blood, you never get it out!!!
(CONTINUED)
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13
13 CONTINUED: 13
SCHAEFER You never were all that smart...let's go!!!
Schaefer signals. Men leap from the chopper.
14 EXT. JUNGLE - NIGHT 14
The man crash through the trees and are swallowed up by the darkness below. The helicopters depart, THUMPING their way into the night.
DISSOLVE TO:
15 EXT. MOUNTAIN RIDGE - DAY (DAWN) 15
A light shower passes through the trees. The sky clears, REVEALING a lush and exotic foliage. Birds are beginning to SING but otherwise, all is SILENT.
The dense growth seems impenetrable, but from a solid wall of undergrowth, a HAND appears and signals in a downward motion.
As if by magic, the assault team materializes, quietly, cautiously. Schaefer makes another gesture and the team moves forward in perfect harmony in POINT-LOCK step, taking their cue from Ramirez, the pointman. Schaefer, highly focused and alert to every sound and movement, follows Ramirez, as if organically connected.
16 EXT. JUNGLE HILLSIDE - DAY 16
Descending the steep mountain slope, the team encounters an even denser growth of jungle, at times moving by instinct, as they are often visually separated. At one point, Schaefer checks his COMPASS, flashing some hand signals to Ramirez, indicating a new direction. Ramirez nods and moves on, Schaefer signaling to the rest of the men.
17 EXT. JUNGLE CLEARING - DAY 17
Blain, in a defensive position, sweeps the jungle slowly with his MP-5. He steps back and turns, checking, revealing in the b.g. the WRECKAGE OF A U.S. ARMY UH-1H HELICOPTER, hanging upside down, twenty feet above the ground, entangled in vines in the heavy capony, badly damaged, rotors bent, its tail section blown away.
(CONTINUED)
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REVISED - "HUNTER" - 4/21/86 14 * 17 CONTINUED: 17
A GRAPPLING HOOK is hurled from the ground, CLATTERING into the cargo hold, hooking the edge of the airframe.
18 INT. HELICOPTER - DAY 18
Ramirez moves cautiously, searching for trip wires, using his knife to check the edges of the seats and door frames. Grimly he glances at the TWO BODIES slumped over the controls and then exits, snapping into and rappelling down the rope to the ground.
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