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58-A EXT. OBSERVER'S P.O.V. OF HIS HAND - DAY 58-A
As it appears, pulsing in a pale magenta heat, low to the ground, holding his weapon. He lays down the weapon, picking up the SCORPION, turning it slowly in his fingers, examining it. It looks like an exotic flower, its color fading from sight, turning to BLACK.
A low SOUND is uttered, something vaguely familiar about it: A NEARLY HUMAN VOICE, a distorted imitation of Mac.
HUNTER (o.s.; filtered) Dillon, over here.
Again the phrase is uttered, improving, closer to Mac's inflection and accent.
HUNTER (o.s.) Dillon, over here.
The Hunter lowers the pitch.
HUNTER (o.s.) Dillon, over here.
The last effort is a chilling simulation of Mac's voice.
59 EXT. OBSERVER'S HAND - DAY 59
Drops the scorpion and picks up the weapon which changes instantly back to the Observer's skin tones.
59-A EXT. OBSERVER'S P.O.V. - DAY 59-A
He turns and focuses on the area where the team left camp.
He crouches and springs to the lower branches of a tree, grasping them with his clawed, three-fingered hands, pulling himself up and through the branches with astounding speed and simian-like dexterity; his spurred prehensile feet, grasping and thrusting him to a vantage point, fifty feet above the ground.
As he moves on, the jungle grows suddenly QUIET, as if aware, sensing that the HUNTER is now stalking, no longer observing!!!
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43
60 EXT. JUNGLE VALLEY - DAY 60
The twilight world of a PREHISTORIC FOREST, filled with gigantic plants and towering trees, overgrown with vines and creepers.
The team, with Billy at point, walk alongside a wandering STREAM BED, weirdly illuminated by SHAFTS OF LIGHT, streaming through openings in the trees, as if from spotlights, a hundred feet above.
It is midday, hot and humid, the air BUZZING with the sounds of insects, the CRYING of birds and monkeys. The men are moving fast and quiet, straining to see into the dense jungle, aware of every sound, sweating, quietly slapping at biting insects.
61 EXT. GIANT HARDWOOD TREE - DAY 61
Lies across their path. As the man climb over a rotten section, Mac stops to assist Blain with his Mini-gun.
MAC I've seen some badass bush before, but nothin' like this, man. (pause) Little taste 'o home?
Blain nods and pauses to rest, looking around him as Mac withdraws a small silver POCKET FLASK. He takes a nip, passing the flask to Blain who also takes a sip.
BLAIN I hear you bro, this is some shit. Makes Cambodia look like Kansas. Lose your way in here, man, you be in some kinda hurt.
Blain hands back the flask, Mac replacing it inside his vest. They do their hand dap, looking warily behind them before they move on.
62 EXT. ANNA AND DILLON - JUNGLE - DAY 62
Have fallen behind, Dillon looking worriedly ahead at the them out distancing them. Anna is keeping her pace purposefully slow. She trips on a root falling to the ground. She lies there, motionless. He quickly reaches down to haul her to her feet.
(CONTINUED)
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REVISED - "HUNTER" - 4/29/86 44
62 CONTINUED: 62
DILLON (urgently) Shit. Come on...
Like an uncoiled spring, Anna turns, flinging a handful of DIRT into his face, momentarily blinding him. She lunges for his rifle with her bound hands.
Suddenly the BARREL of an MP-5 is thrust into her face.
Looking up she SEES Ramirez, calmly holding the weapon on her, the look in his eyes indicating he'd hove no trouble shooting her.
RAMIREZ (in Spanish) Don't try it.
She looks back at Dillon, wiping the dirt from his eyes. She moves on. Ramirez gives him a cold look as Dillon hurries past.
RAMIREZ (coolly) You should put her on a leash, Agent Man. If you can't handle her, just say the word.
Dillon moves on, ignoring Ramirez, who turns, scanning the jungle behind him before moving on. Dillon catches up with Anna, turning her sharply by the chin.
DILLON (cold; in Spanish) Try that again. Please. *
She looks at him contemptuously, undaunted. She will try it again. She breaks away from his grasp and moves on, Dillon watching her go, he won't hesitate next time.
63 EXT. HUNTER'S P.O.V. - DAY 63
As he travels, directly overhead, timing his movement with those of the team. He moves lower, closer to the slowly moving humans.
64 EXT. RIVER BED - DAY 64
The team moves cautiously through the winding stream bed, now wearing their clothing in various stages of disarray for comfort, sweat dripping from their bodies.
(CONTINUED)
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REVISED - "HUNTER" - 4/17/86 45
64 CONTINUED: 64
Billy, in the lead, picks his way along the riverbank, his concentration rapt, aboriginal. His face a trancelike mask of expectation.
Blain, cradling the heavy Mini-gun as if it were a toy, swings the weapon relentlessly across his field of view. He pauses to adjust the hanging, belted loop of cartridges trailing from the back pack magazine. An INSECT lands on his face and is trapped in the grease paint near his lips. He draws the hapless bug into his mouth with his tongue and quietly spits it out, his concentration unbroken.
Mac follows, holding the M-60 high across his chest.
Schaefer, bent, cautious, his feet moving aside the dry leaves on the ground, heel to toe and on foot edges. He glances around, checking the team's position and progress.
Hawkins follows, his mouth open, breathing deeply, exhausted, the radio a 60 pound demon.
Anna, struggling to climb a section of the stream bank, slips on some loose dirt. Unable to assist herself with her hands tied, she nearly falls. Dillon prods her with his rifle, forcing her to her feet. She scrambles up the bank, Dillon following.
65 EXT. RIVER BANK - DAY 65
As Billy enters a small clearing, bordered on one side by the towering trees, carpeting the mountainside. High above in the thick, impenetrable treeline, brightly colored birds SQUAWK loudly, chasing each other from branch to branch.
Suddenly Billy stops. Schaefer holds up his hand and the team freezes in position. An eerie SILENCE, like a slowly falling curtain, descends over the jungle until even the BUZZING and CLICKING of insects have CEASED.
66 EXT. TEAM MEMBERS - DAY 66
Sensing an ambush, move quietly into the foliage. Dillon moves into the undergrowth, dragging Anna with him. He slings his MP-5 over his shoulder, withdrawing his KNIFE. Grasping Anna by her shirt collar and pushing her to the ground he holds the weapon near her throat. Dillon signals to Ramirez * who approaches. Dillon hands Ramirez the knife.
(CONTINUED)
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REVISED - "HUNTER" - 4/17/86 46 * 66 CONTINUED: 66
DILLON Watch her.
Before Ramirez can respond, Dillon slips into the undergrowth. Ramirez holds the knife on Anna, cautiously scanning around him for movement.
Unseen by Ramirez, Anna's outstretched hands slowly tighten around a stout ROOT-BURL, lying loose on the ground.
67 EXT. BILLY - AT THE RIVER BED - DAY 67
He remains frozen and transfixed, staring into the treeline. Something is moving, fluid, silently and downward, into the forest. Billy remains rooted to the spot, lost in concentration.
68 SCHAEFER 68
sensing something very wrong with Billy, moves alongside Mac.
SCHAEFER What's got Billy so spooked?
MAC Can't say, Major...been squirrely all mornin'... fuckin' weird...sometimes I think that nose of his is too good...smells things that ain't there.
Schaefer signals for Mac to cover him and then moves low and quiet towards Billy. Dillon appears, looking to Mac for an explanation. Mac ignores him, concentrating on the jungle. Dillon looks forward at...
Billy, his eyes riveted to the capony above, as he unconsciously reaches to his throat, grasping a LEATHER POUCH, secured to his neck by a thong. He fingers the MEDICINE BAG talisman.
69 EXT. HUNTER'S P.O.V. - DAY 69
As he slowly descends through the trees, moving towards Billy, who's eyes search the treeline for movement.
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47
70 BACK TO SCENE/SCHAEFER 70
approaches Billy, gripping his shoulders and in a hoarse whisper, speaks his name.
SCHAEFER What is it...?
Billy, rigid, does not respond. Schaefer forcefully jerks his around to face him.
SCHAEFER Billy...What the hell's wrong with you?
BILLY (low) Something...in the trees...
71 EXT. HUNTER'S P.O.V. - DAY 71
Still closing in on Billy. Billy turns back, looking high into the trees, puzzled and frightened. He's lost sense of the Hunter's presence. He lowers his vision, looking towards the Hunter, now on the ground, 30 yards across the clearing from Billy. The Hunter pauses.
72 BACK TO SCENE/BILLY AND SCHAEFER 72
BILLY (whispers) Can you see anything... (points) ...there?
Schaefer stares hard at the jungle.
SCHAEFER It's...nothing...
73 EXT. HUNTER'S P.O.V. - DAY 73
Moves behind a broad fern, skirting around Billy and Schaefer, heading away from the column.
74 BACK TO SCENE/BILLY AND SCHAEFER 74
Schaefer shakes his head, continuing to stare into the jungle. He turns to Billy.
SCHAEFER What do you think...?
(CONTINUED)
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REVISED - "HUNTER" - 4/17/86 48 * 74 CONTINUED: 74
Billy turns, a puzzled look in his eyes. He nods in agreement.
BILLY It's nothing...
75 EXT. ANNA AND RAMIREZ - DAY 75
Sensing the danger has passed, Ramirez releases his grip on Anna. As they start to rise, Ramirez sheaths his knife and unslings his MP-5. Anna still stares hard into the jungle.
Suddenly, without even looking, Anna with the trained reflexes of an experienced fighter swings the BURL with all her might, catching Ramirez hard on the side of the head, just above the eye, opening a wicked gash. Spinning around she knees him brutally in the groin. As Ramirez goes down, doubled over in pain, Anna turns, scrambling up the embankment, running for the jungle.
Ramirez CRIES out.
76 EXT. SCHAEFER - DAY 76
HEARING Ramirez' cry, Schaefer signals to Hawkins to move. Hawkins moves out, fast, heading towards the sound...
77 EXT. HAWKINS - DAY 77
SEES Anna running away. He gives chase.
Anna, although bound, is light and fit and runs fast, hurdling fallen logs and branches, charging through the undergrowth. SHe has a good start.
Hawkins, hampered by the radio and weapon but in
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